This article by Mary Ellen Bates is an excerpt from her recent presentation “The Strategic Value of Copyright Licensing Solutions,” to which she also provides a video link. Bates discusses ways published information is being used throughout organizations that you may not have considered, and the impact on copyright compliance.
John Mark Ockerbloom elucidates the significance of promoting and protecting literature, the public domain and open access to publications In the age of COVID-19.
Chris Meadows was Editor and Senior Staff Writer at TeleRead, a site focusing on e-book and library news. It is with sadness that I share one of his last articles – he passed away last week after a hit and run accident. Chris was an expert on all facets of digital content issues, and the son of two librarians. I have included more information in my editor’s note at the end of the article. He will be missed. My deepest condolences to his family.
Privacy and security issues impact every aspect of our lives – home, work, travel, education, health and medical records – to name but a few. On a weekly basis Pete Weiss highlights articles and information that focus on the increasingly complex and wide ranging ways technology is used to compromise and diminish our privacy and security, often without our situational awareness. Four highlights from this week: Foreign Hackers Swipe Millions in Unemployment Benefits; An Apple whistleblower has publicly slammed the company, claiming it violated ‘fundamental rights’ after Siri recorded users’ intimate moments without consent; Google censored search results after bogus copyright claims; and COVID-19 data sharing with law enforcement sparks concern.
If you work in any of the higher ed institutions that are preparing to move online – maybe your copyright world has exploded in a range of questions on fair use, e-reserves, online access, scanning, digitization, and more! Many in the library community are working towards the best solution for students, faculty, staff, and patrons in this time of crisis. To help you navigate this process, lawyer, librarian, copyright academic Kyle K. Courtney’s Two Part article offers a wealth of guidance on the legal tools libraries have for copyright as “stewards of access” in our communities. [See Part 2]
If you work in any of the higher ed institutions that are preparing to move online – maybe your copyright world has exploded in a range of questions on fair use, e-reserves, online access, scanning, digitization, and more! Many in the library community are working towards the best solution for students, faculty, staff, and patrons in this time of crisis. To help you navigate this process, lawyer, librarian, copyright academic Kyle K. Courtney’s Two Part article offers a wealth of guidance on the legal tools libraries have for copyright as “stewards of access” in our communities. [See Part 1]
Todd A Carpenter, Executive Director of the National Information Standards Organization (NISO), discusses the factors that have brought us to an inflection point with a new technology, artificial intelligence (AI), and associated questions about the boundaries of intellectual property rights. Carpenter contends there could be profound implications for the publishing and scientific communities, which are becoming key sources of training data for artificial intelligence systems, as well as for publishers themselves, potentially becoming reliant on artificial intelligence for creation, curation and engagement of new content. In this article he reports on a forum hosted by WIPO and the Copyright Office that focused on whether copyright can apply to the works created by artificial intelligence systems.
In this article, Alan Rothman engages us with significant insights into how the music business is using artificially intelligent music composers, producers and performers that challenge the boundaries of intellectual property and human versus AI musical production. Rothman offers perspective and resources that address whether the dawn of new music produced by AI is upon us, what are the consequences for the artists, the consumers, and the legal system that may be called up to deal with conflicts that will invariably arise.
Chris Meadows revisits a subject, Google Books, that has been the focal point of legal action, disagreement within the publishing and library communities, and basically an issue lacking closure concerning the end product. Meadows reiterates the Second Circuit finding on Google Books and fair uses in his response to the continued quest of some groups to restore the “Library of Alexandria.” Please also see his related article, Oh Lord, please don’t let Google Book Search be misunderstood.
In what became a two part article, Chris Meadows responds to the continuing commentary and rebuttals on the Google Books decision and access to the search engine that remains available to query a huge index of full-text books and access the text of scanned copies of books in the public domain. The second part of Meadows’ rebuttal was prompted by the publication of yet another article, and is also republished on LLRX – Google Books is not Alexandria redux.